Sharp Battement Jeté for Precision & Timing
Elizabeth Walker – Former Dancer NYCB, Faculty Member BAE

Sharp Battement Jeté for Precision & Timing

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Elizabeth Walker, faculty member at Ballet Academy East, shares her battement jeté combination for precision, timing & demi plié.

Elizabeth Walker began her ballet training with Don and Patricia Cantwell in Charleston, S.C. and continued with Ann Brodie in Columbia, S.C. Following two summer courses at the School of American Ballet in New York, Ms. Walker was invited to stay full time and study on scholarship at the age of 15.  She received a Princess Grace Foundation Award-USA Dance Scholarship and Nancy Davis Reagan Award in 1988 and a scholarship in the name of Alexandra Danilova and the Mae L. Wien Award for Outstanding Promise in 1990. At the age of sixteen Elizabeth was invited by Suki Schorer and Merrill Ashley to take part as a demonstrator in “Balanchine Essays,” a video series cataloguing Balanchine technique produced by the George Balanchine Trust.   Elizabeth was offered an apprenticeship with the New York City Ballet in 1990 and joined the corps de ballet in 1991. Among the dozens of roles she danced, many were featured or principal roles in ballets by George Balanchine, Peter Martins, Jerome Robbins, Lynn Taylor Corbett, and David Parsons.  In June 2009, Elizabeth retired from performing after 19 years with NYCB. Elizabeth taught on the faculty of the School of American Ballet, the official school of NYCB, from 2001-2007. Since 2009 Elizabeth has served as senior faculty at the New York State Summer School of the Arts (NYSSSA) School of Ballet. Elizabeth joined the faculty at Ballet Academy East in 2007 teaching for the Pre-Professional Division and adult open classes.


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